Q: What made you say yes to Remember Me; you are in the position to say yes or no to a director to choose which movie you want to be in or which movie you don't want to be in?
A: Kind of. You get certain offers and stuff, but with this, it was before Twilight came out, and I read the script and I wanted to do another job before Twilight came out. I didn't end up doing one, but that was one of the things I read. So with this, usually every single young guy who is a lead is often such a stock character. But Tyler wasn't really coming from an obvious place and wasn't ending up in an obvious place either, so it gave you much more to work with, and it could be more of a character piece. There are certain things about generic films where you have to do certain things and perform in a certain way, and it doesn't really make sense. I think that's why this is kind of a little bit weird in that respect, it doesn't really fit what you'd expect from this kind of drama.

Q: With Remember Me, were there certain aspects of the character you could empathize with? He's a guy who likes to do his own thing…
A: Yeah, in a lot of ways, I saw right from the beginning that he was quite similar to me, and I kind of tried to tailor it to be even more similar, but then the more I tailored it, the more it became a fictional creation. But yeah, I've been saying there's a kind of moment where, I think it's the end of the adolescent period, where you think that you have to be an individual so much and you want to stamp your identity on everything. I mean, you get to your early 20s and you are much more accepting of being part of the world, and not wanting to drive everything away from you all the time, and I kind of had that when I was in my early 20s.

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